Eiffel Tower

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Template:Other uses Template:Use dmy dates Template:Pp-move-indef Template:Infobox building The Eiffel Tower (Template:Lang-fr, Template:IPA-fr) is an iron lattice tower located on the Champ de Mars in Paris. It was named after the engineer Gustave Eiffel, whose company designed and built the tower. Erected in 1889 as the entrance arch to the 1889 World's Fair, it has become both a global cultural icon of France and one of the most recognizable structures in the world.<ref name=things_to_remember>Template:Cite web</ref> The tower is the tallest structure in Paris and the most-visited paid monument in the world; 6.98 million people ascended it in 2011.<ref name=Key_figures/> The tower received its 250 millionth visitor in 2010.<ref name=Key_figures/>

The tower is Template:Convert tall,<ref name=Key_figures>Template:Cite web</ref> about the same height as an 81-Template:Notatypo building. During its construction, the Eiffel Tower surpassed the Washington Monument to assume the title of the tallest human-made structure in the world, a title it held for 41 years, until the Chrysler Building in New York City was built in 1930. Because of the addition of the antenna atop the Eiffel Tower in 1957, it is now taller than the Chrysler Building by Template:Convert. Not including broadcast antennae, it is the second-tallest structure in France, after the Millau Viaduct.

The tower has three levels for visitors, with restaurants on the first and second. The third level observatory's upper platform is Template:Convert above the ground,<ref name=Key_figures/> the highest accessible to the public in the European Union. Tickets can be purchased to ascend by stairs or lift (elevator) to the first and second levels. The climb from ground level to the first level is over 300 steps, as is the walk from the first to the second level. Although there are stairs to the third and highest level, these are usually closed to the public and it is generally only accessible by lift.



File:Maurice koechlin pylone.jpg
First drawing of the Eiffel Tower by Maurice Koechlin

The design of the Eiffel Tower was originated by Maurice Koechlin and Émile Nouguier, two senior engineers who worked for the Compagnie des Etablissements Eiffel, after discussion about a suitable centrepiece for the proposed 1889 Exposition Universelle, a World's Fair which would celebrate the centennial of the French Revolution. In May 1884 Koechlin, working at home, made an outline drawing of their scheme, described by him as "a great pylon, consisting of four lattice girders standing apart at the base and coming together at the top, joined together by metal trusses at regular intervals". Initially Eiffel himself showed little enthusiasm, but he did sanction further study of the project, and the two engineers then asked Stephen Sauvestre, the head of company's architectural department, to contribute to the design. Sauvestre added decorative arches to the base, a glass pavilion to the first level, and other embellishments. This enhanced version gained Eiffel's support: he bought the rights to the patent on the design which Koechlin, Nougier, and Sauvestre had taken out, and the design was exhibited at the Exhibition of Decorative Arts in the autumn of 1884 under the company name. On 30 March 1885 Eiffel presented a paper on the project to the Société des Ingiénieurs Civils; after discussing the technical problems and emphasising the practical uses of the tower, he finished his talk by saying that the tower would symbolise<ref name=loyrette116> Template:Cite book</ref>Template:Quote

Little happened until the beginning of 1886, when Jules Grévy was re-elected as President and Édouard Lockroy was appointed as Minister for Trade. A budget for the Exposition was passed and on 1 May Lockroy announced an alteration to the terms of the open competition which was being held for a centerpiece for the exposition, which effectively made the choice of Eiffel's design a foregone conclusion: all entries had to include a study for a 300 m (980 ft) four-sided metal tower on the Champ de Mars.<ref name=loyrette116/> On 12 May a commission was set up to examine Eiffel's scheme and its rivals and on 12 June it presented its decision, which was that all the proposals except Eiffel's were either impractical or insufficiently worked out. After some debate about the exact site for the tower, a contract was finally signed on 8 January 1887. This was signed by Eiffel acting in his own capacity rather than as the representative of his company, and granted him 1.5 million francs toward the construction costs: less than a quarter of the estimated 6.5 million francs. Eiffel was to receive all income from the commercial exploitation of the tower during the exhibition and for the following twenty years. Eiffel later established a separate company to manage the tower, putting up half the necessary capital himself.<ref name=loyrette121>Template:Cite book</ref>

The "Artists Protest"

File:Caricature Gustave Eiffel.gif
Caricature of Gustave Eiffel comparing the Eiffel tower to the Pyramids.

The projected tower had been a subject of some controversy, attracting criticism from both those who did not believe that it was feasible and those who objected on artistic grounds, whose objections were an expression of a longstanding debate about the relationship between architecture and engineering. This came to a head as work began at the Champ de Mars: A "Committee of Three Hundred" (one member for each metre of the tower's height) was formed, led by the prominent architect Charles Garnier and including some of the most important figures of the French arts establishment, including Adolphe Bouguereau, Guy de Maupassant, Charles Gounod and Jules Massenet: a petition was sent to Charles Alphand, the Minister of Works and Commissioner for the Exposition, and was published by Le Temps.<ref name=loyrette174> Template:Cite book</ref> Template:Quote

Gustave Eiffel responded to these criticisms by comparing his tower to the Egyptian Pyramids: "My tower will be the tallest edifice ever erected by man. Will it not also be grandiose in its way ? And why would something admirable in Egypt become hideous and ridiculous in Paris ?" These criticisms were also masterfully dealt with by Édouard Lockroy in a letter of support written to Alphand, ironically saying "Judging by the stately swell of the rhythms, the beauty of the metaphors, the elegance of its delicate and precise style, one can tell that…this protest is the result of collaboration of the most famous writers and poets of our time", and going on to point out that the protest was irrelevant since the project had been decided upon months before and was already under construction. Indeed, Garnier had been a member of the Tower Commission that had assessed the various proposals, and had raised no objection. Eiffel was similarly unworried, pointing out to a journalist that it was premature to judge the effect of the tower solely on the basis of the drawings, that the Champ de Mars was distant enough from the monuments mentioned in the protest for there to be little risk of the tower overwhelming them, and putting the aesthetic argument for the Tower: "Do not the laws of natural forces always conform to the secret laws of harmony?"<ref name=loyrette176>Template:Cite book</ref>

Some of the protestors were to change their minds when the tower was built: others remained unconvinced.<ref name=times1_4_89 >Template:Cite newspaper The Times</ref>Guy de Maupassant supposedly ate lunch in the tower's restaurant every day because it was the one place in Paris where the tower was not visible. Today, the Tower is widely considered to be a striking piece of structural art.


Work on the foundations started on 28 January 1887.<ref name=origins>Template:Cite web</ref> Those for the east and south legs were straightforward, each leg resting on four Template:Convert concrete slabs, one for each of the principal girders of each leg but the other two, being closer to the river Seine, were more complicated: each slab needed two piles installed by using compressed-air caissons Template:Convert long and Template:Convert in diameter driven to a depth of Template:Convert<ref name=loyrette123>Template:Cite book</ref> to support the concrete slabs, which were Template:Convert thick. Each of these slabs supported a block built of limestone each with an inclined top to bear a supporting shoe for the ironwork. Each shoe was anchored into the stonework by a pair of bolts 10 cm (4 in) in diameter and Template:Convert long. The foundations were complete by 30 June and the erection of the ironwork began. The very visible work on-site was complemented by the enormous amount of exacting preparatory work that was entailed: the drawing office produced 1,700 general drawings and 3,629 detailed drawings of the 18,038 different parts needed.<ref name=loyrette148>Template:Cite book</ref> The task of drawing the components was complicated by the complex angles involved in the design and the degree of precision required: the position of rivet holes was specified to within 0.1 mm (0.04 in) and angles worked out to one second of arc. The finished components, some already riveted together into sub-assemblies, arrived on horse-drawn carts from the factory in the nearby Parisian suburb of Levallois-Perret and were first bolted together, the bolts being replaced by rivets as construction progressed. No drilling or shaping was done on site: if any part did not fit it was sent back to the factory for alteration. In all there were 18,038 pieces joined by two and a half million rivets.<ref name=origins/>

File:Construction tour eiffel.JPG
The start of the erection of the metalwork

At first the legs were constructed as cantilevers but about halfway to the first level construction was paused in order to construct a substantial timber scaffold. This caused a renewal of the concerns about the structural soundness of the project, and sensational headlines such as "Eiffel Suicide!" and "Gustave Eiffel has gone mad: he has been confined in an Asylum" appeared in the popular press. At this stage a small "creeper" crane was installed in each leg, designed to move up the tower as construction progressed and making use of the guides for the lifts which were to be fitted in each leg. The critical stage of joining the four legs at the first level was complete by the end of March 1888.<ref name=origins/> Although the metalwork had been prepared with the utmost precision, provision had been made to carry out small adjustments in order to precisely align the legs: hydraulic jacks were fitted to the shoes at the base of each leg, each capable of exerting a force of 800 tonnes, and in addition the legs had been intentionally constructed at a slightly steeper angle than necessary, being supported by sandboxes on the scaffold. Although construction involved 300<ref name=origins/> on-site employees, only one person died thanks to Eiffel's stringent safety precautions and use of movable stagings, guard-rails, and screens.


File:Eiffel-Otis lift-poyet.jpg
The Otis lifts originally fitted in the north and south legs

Equipping the Tower with adequate and safe passenger lifts was a major concern of the government commission overseeing the Exposition. Although some visitors could be expected to climb to the first or even the second stage, the main means of ascent clearly had to be lifts.<ref name=vogel_20>Template:Cite journal</ref>

Constructing lifts to reach the first platform was relatively straightforward: the legs of the lower section were wide enough and so nearly straight that they could contain a straight track, and a contract was given to the French company Roux, Combaluzier and Lepape for two lifts to be fitted in the east and west legs.<ref name=vogel_28>Template:Cite journal</ref> The lifts to the second platform presented a more complex problem, because a straight track was not possible. No French company was willing to undertake the work. The European branch of Otis Brothers & Company, submitted a proposal but this was rejected: the fair’s charter ruled out the use of any foreign material in the construction of the Tower. The deadline for bids was extended, but still no French companies put themselves forward, and eventually the contract was given to Otis in July 1887.<ref name=vogel_23-4>Template:Cite journal</ref>

The original lifts from the second to the third floor were supplied by Léon Edoux. A pair of Template:Convert hydraulic rams were mounted on the second level, reaching nearly halfway up to the third level. One lift car was mounted on top of these rams, cables ran from the top of this car up to sheaves on the third level and then back down to a second car. Each car only travelled half the distance between the second and third levels and passengers were required to change lifts halfway by means of a short gangway. The ten-ton cars held 65 passengers each.

Inauguration and the 1889 Exposition

File:Vue générale de l'Exposition universelle de 1889.jpg
General view of the Exposition Universelle

The main structural work was completed at the end of March 1889 and on the 31st Eiffel celebrated this by leading a group of government officials, accompanied by representatives of the press, to the top of the tower.<ref name=times1_4_89 /> Since the lifts were not yet in operation, the ascent was made by foot, and took over an hour, Eiffel frequently stopping to make explanations of various features. Most of the party chose to stop at the lower levels, but a few, including Nouguier, Compagnon, the President of the City Council and reporters from Le Figaro and Le Monde Illustré completed the climb. At 2.35 Eiffel hoisted a large French flag, to the accompaniment of a 25-gun salute fired from the lower level. There was still work to be done, particularly on the lifts and the fitting out of the facilities for visitors, and the tower was not opened to the public until nine days after the opening of the Exposition on 6 May: even then the lifts had not been completed. The tower was an immediate success with the public, and nearly 30,000 visitors made the 1,710 step climb to the top using the stairs before the lifts entered service on 26 May.<ref name=Exposition >Template:Cite web</ref> Tickets cost 2 francs for the first level, 3 for the second, and 5 for the top, with half-price admission on Sundays, and by the end of the exhibition there had been 1,896,987 visitors.<ref name=Key_figures/>

After dark the tower was lit by hundreds of gas lamps and a beacon sending out three beams of red, white and blue light using two mobile projectors mounted on a circular rail. The opening and closing of the Exposition were announced every day by a cannon fired from the top.

File:Georges Garen embrasement tour Eiffel.jpg
Illumination of the tower at night during the Exposition.

On the second level, the French newspaper Le Figaro had an office and a printing press, where a special souvenir edition, Le Figaro de la Tour, was produced. There was also a pâtisserie.

On the third level the was a post office, where visitors could send letters of postcards as a memento of their visit. Graffitists were also catered for: sheets of paper were mounted on the walls for visitors to record their impressions: these were replaced daily. Gustave Eiffel describes some of the responses as "vraiment curieuse" Famous visitors to the tower included The Prince of Wales, Sarah Bernhardt, "Buffalo Bill Cody (his Wild West show was an attraction at the Exposition) and Thomas Edison.<ref name=Exposition/> Edison was invited by Eiffel to his private apartment at the top of the tower, where Edison presented him with one of his phonographs: this invention was one of the sensations of the Exposition. Edison signed the guestbook with the following message—Template:Quote Eiffel had a permit for the tower to stand for 20 years; it was to be dismantled in 1909, when its ownership would revert to the City of Paris. The City had planned to tear it down (part of the original contest rules for designing a tower was that it should be easy to demolish) but as the tower proved valuable for communication purposes it was allowed to remain after the expiry of the permit. Eiffel made use of his apartment at the top level of the tower to carry out meteorological observations, and also made use of the tower to perform experiments on the action of air resistance on falling bodies.

Subsequent events

Franz Reichelt's preparations and fall from the Eiffel Tower.
The lifts in the east and west legs replaced by lifts running as far as the second level constructed by the French firm Fives-Lille. At the same time the lift in the north pillar was removed.<ref name="vogel_23-4"/>
19 October 1901
Alberto Santos-Dumont in his Dirigible No.6 won a 10,000-franc prize offered by Henri Deutsch de la Meurthe for the first person to make a flight from St. Cloud to the Eiffel tower and back in less than half an hour.
Father Theodor Wulf measured radiant energy at the top and bottom of the tower. He found more at the top than expected, incidentally discovering what are today known as cosmic rays.<ref name=Wulf>Wulf, Theodor. Physikalische Zeitschrift, contains results of the four-day long observation done by Theodor Wulf while at the top of the Eiffel Tower in 1910.</ref>
4 February 1912
Austrian tailor Franz Reichelt died after jumping metres from the first level of the tower to demonstrate his parachute design.
The lift in the south pillar was removed.
In the opening weeks of World War I a radio transmitter located in the tower jammed German radio communications. This seriously hindered their advance on Paris, and contributed to the Allied victory at the First Battle of the Marne.
The con artist Victor Lustig "sold" the tower for scrap metal on two separate, but related occasions.
February 1926
Pilot Leon Collet was killed after flying beneath the arch of the tower. His aircraft was entangled in an aerial belonging to the wireless station.
The tower lost the title of the world's tallest structure when the Chrysler Building was completed in New York City.
1925 to 1934
Illuminated signs for Citroën adorned three of the tower's four sides, making it the tallest advertising space in the world at the time.
File:American soldiers watch as the Tricolor flies from the Eiffel Tower again.jpg
American soldiers watch the French flag flying on the Eiffel Tower, ca. 25 August 1944.
In April the tower was used to make experimental low-resolution television transmissions, using a short wave transmitter of only 200 watts power. On 17 November an improved 180 line transmitter was installed.
1940 to 1944
Upon the German occupation of Paris in 1940 the lift cables were cut by the French so that Adolf Hitler would have to climb the steps to the summit. The parts to repair them were allegedly impossible to obtain because of the war. In 1940 German soldiers had to climb to the top to hoist the swastika, but the flag was so large it blew away just a few hours later, and was replaced by a smaller one. When visiting Paris, Hitler chose to stay on the ground. It was said that Hitler conquered France, but did not conquer the Eiffel Tower. A Frenchman scaled the tower during the German occupation to hang the French flag. In August 1944, when the Allies were nearing Paris, Hitler ordered General Dietrich von Choltitz, the military governor of Paris, to demolish the tower along with the rest of the city. Von Choltitz disobeyed the order. Some say Hitler was later persuaded to keep the tower intact so it could later be used for communications. The lifts of the Tower were working normally within hours of the Liberation of Paris. Template:Citation needed
3 January 1956
A fire damaged the top of the tower.
The present radio antenna was added to the top.
Due to increasing visitor numbers an additional lift system was installed in the north pillar.
According to interviews, Montreal Mayor Jean Drapeau negotiated a secret agreement with Charles de Gaulle for the tower to be dismantled and temporarily relocated to Montreal to serve as a landmark and tourist attraction during Expo 67. The plan was allegedly vetoed by the company which operated the tower out of fear that the French government could refuse permission for the tower to be restored to its original location.
The original lifts between the second and third levels replaced after 97 years service. These had been closed to the public between between November and March because the water in the hydraulic drive tended to freeze. The cars operate in pairs with one counterbalancing the other, and perform the journey in one stage. reducing the time taken from eight minutes to less than two minutes. At the same time two new emergency staircases were installed, replacing the original spiral staircases.
31 March 1984
Robert Moriarty flew a Beechcraft Bonanza through the arches of the tower.
A.J. Hackett made one of his first bungee jumps from the top of the Eiffel Tower, using a special cord he had helped develop. Hackett was arrested by the Paris police upon reaching the ground.
27 October 1991
Thierry Devaux, along with mountain guide Hervé Calvayrac, performed a series of acrobatic figures of bungee jumping (not allowed) from the second floor of the Tower. Facing the Champ de Mars, Thierry Devaux was using an electric winch between each figure to go back up. When firemen arrived, he stopped after the sixth jump.
New Year's Eve 1999
The Eiffel Tower played host to Paris's Millennium Celebration. Flashing lights and four high-power searchlights were installed on the tower, and fireworks were set off all over it. An exhibition above a cafeteria on the first floor now commemorates this event. Since then, the light show has become a nightly event. The searchlights on top of the tower make it a beacon in Paris's night sky, and the 20,000 flash bulbs give the tower a sparkly appearance every hour on the hour.
28 November 2002
The tower received its 200,000,000th guest.
The Eiffel Tower began hosting an ice skating rink on the first floor each winter.

Design of the tower


thumb The puddled iron (wrought iron) structure of the Eiffel Tower weighs 7,300 tonnes, while the entire structure, including non-metal components, is approximately 10,000 tonnes. As a demonstration of the economy of design, if the 7,300 tonnes of the metal structure were melted down it would fill the 125-metre-square base to a depth of only 6 cm (2.36 in), assuming the density of the metal to be 7.8 tonnes per cubic metre.Template:Citation needed Depending on the ambient temperature, the top of the tower may shift away from the sun by up to 18 cm (7.1 in) because of thermal expansion of the metal on the side facing the sun.Template:Citation needed

Wind considerations

File:Base of Eiffel Tower at Night.jpg
Looking upwards from the base of the tower at night

At the time the tower was built many people were shocked by its daring shape. Eiffel was accused of trying to create something artistic without regard to engineering. However, Eiffel and his engineers, as experienced bridge builders, understood the importance of wind forces and knew that if they were going to build the tallest structure in the world they had to be certain it would withstand them. In an interview with the newspaper Le Temps (Paris) of 14 February 1887, Eiffel said:<ref name= debate>Template:Cite web</ref>


Eiffel used empirical and graphical methods accounting for the effects of wind rather than a specific mathematical formula. Careful examination of the tower shows a basically exponential shape; actually two different exponentials, the lower section overdesigned to ensure resistance to wind forces. Several mathematical explanations have been proposed over the years for the success of the design; the most recent is described as a nonlinear integral equation based on counterbalancing the wind pressure on any point on the tower with the tension between the construction elements at that point.<ref name="sciencedaily2005">Template:Cite web</ref> As a demonstration of the tower's effectiveness in wind resistance, it sways only 6–7 cm (2–3 in) in the wind.


When built, the first level contained two restaurants: an "Anglo-American Bar", and a 250 seat theatre. A Template:Convert promenade ran around the outside.

On the third level were laboratories for various experiments and a small apartment reserved for Gustave Eiffel to entertain guests. This is now open to the public, complete with period decorations and lifelike models of Gustave and some guests.

Passenger lifts

The Fives-Lille lifts from ground level to the first and second levels were operated by cables and pulleys driven by water-powered pistons. The hydraulic scheme was unusual for the time in that it included three large counterweights of 200 tonnes each sitting on top of hydraulic rams which doubled up as accumulators. As the lifts ascend the inclined arc of the pillars, the angle of ascent changes. The two lift cars are kept more or less level and indeed are level at the landings. The cab floors do take on a slight angle at times between landings.

The principle behind the lift drive is the same as block and tackle, but in reverse. Two large hydraulic rams (over 1 metre diameter) with a 16 metre travel were mounted horizontally in the base of the pillar: this pushed a "chariot" with 16 large triple sheaves mounted on it. Six wire ropes were roved back and forth between the chariot and 14 fixed sheaves, so that each rope passes between the two sets of sheaves seven times. The ropes were then led from final sheaves on the chariot and led through a series of sheaves to the lift carriage. This arrangement means that the lift travels 8 times the distance that the rams move the chariot. The hydraulic fluid was water, normally stored in three accumulators, complete with counterbalance weights. To make the lift ascend, water was pumped using an electrically driven pump from the accumulators to the two rams. Since the counterbalance weights provided much of the pressure required, the pump only had to provide the extra effort. For the descent, it was only necessary to allow the water to flow back to the accumulators using a control valve. The lifts were operated by an operator perched underneath the lift cars. His position (with a dummy operator) can still be seen on the lifts today.

The Fives-Lille lifts were completely upgraded in 1986 to meet modern safety requirements and to make the lifts easier to operate. A new computer-controlled system was installed which completely automated the operation. One of the three counterbalances was taken out of use, and the cars were replaced with a more modern and lighter structure. Most importantly, the main driving force was removed from the original water pump such that the water hydraulic system provided only a counterbalancing function. The main driving force was transferred to a 320 kW electrically driven oil hydraulic pump which drives a pair of hydraulic motors on the chariot itself, thus providing the motive power. The new lift cars complete with their carriage and a full 92 passenger load weigh 22 tonnes.

Owing to the elasticity of the cables and the time taken to get the cars level with the landings, each lift in normal service takes an average of 8 minutes and 50 seconds to do the round trip, spending an average of 1 minute and 15 seconds at each floor. The average journey time between floors is just 1 minute.

The south pillar was fitted with an electrically driven lift in 1983 to serve the Jules Verne restaurant. This was supplied by Otis. A further four-ton service lift was added to the South pillar in 1989 by Otis to relieve the main lifts when moving small loads or maintenance personnel.

The east and west hydraulic (water) lift works are on display to the public in a small museum in the base of the east and west towers, which is somewhat hidden from public view. Because the massive mechanism requires frequent lubrication and attention, public access is often restricted. The rope mechanism of the North tower is visible to visitors as they exit from the lift.

Engraved names

Template:Main Gustave Eiffel engraved on the tower seventy-two names of French scientists, engineers, and mathematicians in recognition of their contributions. This engraving was painted over at the beginning of the twentieth century but restored in 1986–1987 by the Société Nouvelle d'exploitation de la Tour Eiffel, a company contracted to operate business related to the Tower.


Maintenance of the tower includes applying Template:Convert of paint every seven years to protect it from rust. The height of the Eiffel Tower varies by Template:Convert due to temperature.

Aesthetic considerations

In order to give the appearance of uniform colour the paint used is graduated in tone to counteract the effect of atmospheric perspective, and is lighter at the bottom, getting darker towards the top. Periodically the colour of the paint is changed; as of 2013 it is bronze coloured.<ref name=painting>Template:Cite web</ref> On the first floor there are interactive consoles hosting a poll for the colour to use for the next repaint.

The only non-structural elements are the four decorative grillwork arches, added in Sauvestre's sketches, which served to make the structure look more substantial, and to make a more impressive entrance to the Exposition.

One of the great Hollywood movie clichés is that the view from a Parisian window always includes the tower. In reality, since zoning restrictions limit the height of most buildings in Paris to seven storeys high, only a small number of taller buildings have a clear view of the tower.



File:Fréquentation tour Eiffel.svg
Number of visitors per year between 1889 and 2004
File:Warteschlange vor dem Eiffelturm.JPG
Visitors queuing to enter the Tower


The nearest Paris Métro station is Bir-Hakeim and the nearest RER station is Pont de l'Alma. The tower itself is located at the intersection of the quai Branly and the Pont d'Iéna.


More than 250 million people have visited the tower since its construction in 1889: in 2012 there were 6,180,000 visitors.<ref name=Key_figures/> The tower is the most-visited paid monument in the world.


The tower has two restaurants: Le 58 tour Eiffel, on the first floors and the Le Jules Verne, a gourmet restaurant on the second floor, with a private lift. This restaurant has one star in the Michelin Red Guide. It is run by the multi-Michelin star chef Alain Ducasse.


thumb, Nevada, United States]] thumb]] thumb thumb Template:Main As one of the most iconic images in the world, the Eiffel Tower has been the inspiration for the creation of over 30 duplicates and similar towers around the world.Template:Citation needed


The tower has been used for radio transmission since the beginning of the 20th century. Until the 1950s, sets of antenna wires ran from the summit to anchors on the Avenue de Suffren and Champ de Mars. These were connected to long-wave transmitters in small bunkers; in 1909 a permanent underground radio centre was built near the south pillar, which still exists today. On 20 November 1913 the Paris Observatory, using the Eiffel Tower as an antenna, exchanged sustained wireless signals with the United States Naval Observatory which used an antenna in Arlington, Virginia. The object of the transmissions was to measure the difference in longitude between Paris and Washington, D.C. Today, both radio and television stations broadcast their signals from the top of the Eiffel Tower.


Frequency kW Service
87.8 MHz 10 France Inter
89.0 MHz 10 RFI Paris
89.9 MHz 6 TSF Jazz
90.4 MHz 10 Nostalgie
90.9 MHz 4 Chante France



Analogue television signals ceased from the Eiffel Tower on 8 March 2011.

Frequency VHF UHF kW Service
182.25 MHz 6 100 Canal+
479.25 MHz 22 500 France 2
503.25 MHz 25 500 TF1
527.25 MHz 28 500 France 3
543.25 MHz 30 100 France 5
567.25 MHz 33 100 M6

Image copyright claims

The tower and its representations have long been in the public domain. However, in June 1990 a French court ruled that a special lighting display on the tower in 1989 (the tower's 100th anniversary) was an "original visual creation" protected by copyright. The Court of Cassation, France's judicial court of last resort, upheld the ruling in March 1992.Template:Dead link The Société d'exploitation de la tour Eiffel (SETE) now considers any illumination of the tower to be under copyright. As a result, it is no longer legal to publish contemporary photographs of the tower at night without permission in France and some other countries.

The imposition of copyright has been controversial. The Director of Documentation for what was then the Société nouvelle d'exploitation de la tour Eiffel (SNTE), Stéphane Dieu, commented in January 2005, "It is really just a way to manage commercial use of the image, so that it isn't used in ways we don't approve." However, it also could be used to prohibit tourist photographs of the tower at night from being published, as well as hindering non-profit and semi-commercial publication of images of the tower. French doctrine and jurisprudence traditionally allow pictures incorporating a copyrighted work as long as their presence is incidental or accessory to the main represented subject, a reasoning akin to the de minimis rule. Thus, SETE could not claim copyright on, for example, photographs or panoramas of Paris including the lit tower.

In popular culture

Template:Main As a global landmark, the Eiffel Tower is featured in media including films, video games, and television shows.

In a commitment ceremony in 2007, Erika Eiffel, an American woman "married" the Eiffel Tower. Her relationship with the tower has been the subject of extensive global publicity.<ref name="GlobeAndMail2009">Template:Cite news</ref>

Taller structures

Although it was the world's tallest structure when completed in 1889, the Eiffel Tower has since lost its standing both as the tallest lattice tower and as the tallest structure in France.

Lattice towers taller than the Eiffel Tower


Name Pinnacle height Year Country Town Remarks
Tokyo Skytree Template:Convert 2011 Japan Tokyo
Kiev TV Tower Template:Convert 1973 Ukraine Kiev Tallest lattice tower of the world
Tashkent Tower Template:Convert 1985 Uzbekistan Tashkent
Pylons of Zhoushan Island Overhead Powerline Tie Template:Convert 2009 People's Republic of China Jiangyin 2 towers, tallest pylons in the world
Pylons of Yangtze River Crossing Template:Convert 2003 People's Republic of China Jiangyin 2 towers
Dragon Tower Template:Convert 2000 People's Republic of China Harbin
Tokyo Tower Template:Convert 1958 Japan Tokyo
WITI TV Tower Template:Convert 1962 U.S. Shorewood, Wisconsin
WSB TV Tower Template:Convert 1957 U.S. Atlanta, Georgia

Architectural structures in France taller than the Eiffel Tower


Name Pinnacle height Year Structure type Town Remarks
Longwave transmitter Allouis Template:Convert 1974 Guyed Mast Allouis
HWU transmitter Template:Convert  ? Guyed Mast Rosnay Military VLF-Transmitter, multiple masts
Viaduc de Millau Template:Convert 2004 Bridge Pillar Millau
TV Mast Niort-Maisonnay Template:Convert  ? Guyed Mast Niort
Transmitter Le Mans-Mayet Template:Convert 1993 Guyed Mast Mayet
La Regine transmitter Template:Convert 1973 Guyed Mast Saissac Military VLF transmitter
Transmitter Roumoules Template:Convert 1974 Guyed Mast Roumoules spare transmission mast for long wave, insulated against ground


Template:Cleanup gallery

See also


  • List of tallest buildings and structures in the Paris region
  • List of tallest buildings and structures in the world
  • List of tallest freestanding structures in the world
  • List of tallest towers in the world




  • 1889: La Tour Eiffel et L’Exposition Universelle Paris: Editions de la Reunion des Musees Nationaux, 1989 [exhibition catalog].
  • Chanson, Hubert (2009). Hydraulic Engineering Legends Listed on the Eiffel Tower, Great Rivers History, ASCE-EWRI Publication, Proceedings of the History Symposium of the World Environmental and Water Resources Congress 2009, Kansas City, USA, 17–19 May, J.R. ROGERS Ed., pp. 1–7 (ISBN 978-0-7844-1032-5)
  • Frémy, Dominique, Quid de la Tour Eiffel, Robert Lafont, Paris (1989) – out of print
  • The Engineer: The Paris Exhibition, 3 May 1889 (Vol. XLVII). London: Office for Advertisements and Publication.
  • Jonnes, Jill. Eiffel's Tower Viking, 2009
  • Harvie, David I Eiffel: The Genius Who Reinvented Himself Stroud, Gloucestershire: Sutton, 2006 ISBN 0-7509-3309-7
  • Loyrette, Henri Gustave Eiffel New York: Rizzoli, 1985. ISBN 0-8478-0631-6
  • Watson, William. Paris Universal Exposition: Civil Engineering, Public Works, and Architecture. Washington [DC]: Government Printing Office, 1892.

External links

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